Ensemble Casts Suck

No seriously.  They are such a pain to write.  How do you give proper attention to characters when you are stuck with scenes that require seven or more to be participating?!  Ugh!  This is the challenge I’ve been having with my writing.  From my GM-Brain, I just want to follow the plot, but without meaning and character development, it’s worthless, and so many characters need to be addressed.

pexels-photo-604452

There are times I think back to books like “The Stand” where King created himself a cast of what?  A dozen to follow?  I mean how do you write the scene of the meeting of the Boulder Free Zone Committee without going insane or leaving someone out of the mix?  He did it, and did it well.  I feel like a fumbling poseur.  Yes, yes… I know that is endemic among writers.  Possibly a pandemic of impostor syndrome.  Doesn’t change the fact I feel it.

At least I can say it’s moving forward though, despite getting ready to add an eighth member to the party.  So what sounds more medieval for a group of travelers?  Party, Band, Group, team?  Blarg… do I just throw it in the mixmaster and hit frappe?

Plus how do you handle a secret romantic subplot in the midst of it?  Lament lament lament.  anyhooo… new chapter titles that are done… and not necessarily in order because I may have to rearrange some of them for better flow and suspense.

#?  Placing a Bit in the Mouth of the Wild (will be moving)

31. Beyond the Bounds of Law

32. Planning the Coronation (may have to move)

33. Under a Lowering Sky

34. Like Sheep To Uncertain Pasture

35. The Last Farmhold

36. Where A Clandestine Rendezvous Occurs

37. Ascending For Primae

38. Brother Finn Risks His Neck (probable re-title)

39. Palliative Heat & An Ancient Terror (probable re-title)

landscape-mountains-nature-clouds

On a positive note, the direction this part of the plot has come over the horizon, and weeks of contemplation, worry and irritation are now being put on the page.  Unfortunately, it has revealed another issue that will have to wait till the second draft to address.  More on that in a later post.  I will be summoning my clutch of alpha readers, for a private discussion on the topic of culture and weighing authenticity versus modern fantasy sensibilities.  Yes, the two are suddenly in conflict.

But if you would like to opine on the subject, I shall ask the hypothetical.  If you were reading a historical fantasy book and came across an old custom that was socially distasteful in modern terms (compared to even as far back as Victorian terms) would you prefer the authenticity, or would you rather it be written around as too distracting.  Mind you I’m not talking something totally reprehensible, but we’re talking moderate social taboos.

Your feedback is greatly appreciated, and more to come soon!  Yes, actually soon.  😉

 

Advertisements

Kudoon’s Cartoons 11

“Danse Macabre:  Wait For It…”

You may have seen it before, but this match, music and ending are just perfect together.  Another early attempt at comedy commentary based on what went on in the match.

Kjudoon’s Cartoons 10

“The Power of Crabby”

I recently came across another very talented game vlogger who did fun stuff to his videos.  His MWO vids are very fun.  (NSFW-language) It inspired me to up my game.  This was my first attempt.  (Safe for work, I no use teh nawty wurds)

Kjudoon’s Cartoons 9

“These LuRMs Were Made For Droppin'”

Again, sometimes you find awesome music, and this made it comedy.

Volume One is Here!

Surprise free book!

Yes, that’s right peoples… Volume One of “A Light Rises in a Dark World” has made it onto the market.  You can get your free copy here, till Amazon matches the price.  Yeah, they no longer do permafree releases.  But Kobo does!  And that should come available after the holiday up in Canada today.

https://www.smashwords.com/books/view/752542

I will release more direct links as it comes available.

Edit: Here’s the link to Kobo.

https://www.kobo.com/us/en/ebook/a-light-rises-in-a-dark-world-volume-one

 

Till then, price is no longer an excuse to check this bad boy out!  Come on… whatcha got to lose?

 

ALRDW Alt Volume Cover Base8B

The Expansive Themes, Subtle Complexity and Luscious Spectacle that is Blade Runner 2049 *No Spoilers*

I just went to see “Blade Runner 2049” and could not help but share my reaction since it sort of relates to us here. I saw it on a regular screen in 2d. I would say upgrade to DLX or whatever super screen you can get. IMAX is never worth it though. 3d? Nothing… and I mean nothing is there to make it worth that price premium. But I don’t like 3d so YMMV.
First off, I’m a huge fan of the first movie.  Favorite movie all time bar none.  I’ve done a previous dissection of the film here.  The Breakers: Blade Runner.  It’s worth a read I think.
Visually it is everything you ever wanted and more. If Rodger Deakins does not win the Oscar, no one this year deserves it. He out does the first film in so many respects but always pays homage.  It is luscious like I said.  You can go from the Film Noir high contrast to the subtle grays and smoke of French New Wave to the loud noisy spectacle of 80’s action films.  All integrated and cohesive.  None feel wrong.  Neon, Fluorescent, “natural” light all his servants.  This is cinematographer porn and your eyes will thank you.
Pacing is slow at times, but it doesn’t drag. It’s very dreamlike, which fits with the first film, seamlessly.  There are long slow shots that just fill in the world so well, you are thankful to have the time to breathe and think on what reveals were brought up.  It was also good to see the world in daytime and in the varied environments of the “Greater Los Angeles” area.  It’s not all just arcologies and wasteland.  You have to see it to understand the scope, and boy is it something!
Themes and subtext… brilliant, staggering and poignant. This move is PACKED with so many concepts and that spawns questions.  I can see why they are not giving away spoilers or trying to explain it. It will pigeonhole and distort what it’s all about. Don’t let other people tell you what it’s about. There’s too much there to think about.  They are layered, deep and sometimes very personal.  This film relies on many conventions of film noir as well as what can be found in cutting edge Japanese cyberpunk Anime (think Masamune Shirow though he’s not a visual influence, just spiritual though it all hearkens back to the themes of Fancher’s take on Phillip K. Dick).  It does not just appropriate from others who followed in the genre it created nearly single-handedly (at least for cinema it did), it evolves and brings it forward into the era it once called the future.
The story is excellent in encapsulating all the above, but has one painful flaw: It’s the first movie of an obvious trilogy. But… at this quality that’s like complaining about “The Empire Strikes Back” or “The Two Towers” needing a third movie to wrap up the trilogy. I really look forward to the expansion of the universe beyond this sequel.  The story itself does stand on its own, but at the end, you have more questions than answers, and I don’t want to give away the biggest question of them all, because it will color your own ideas of the film all the way.  And trust me, I’m fighting really hard to not say it.  Oh… and as a HUGE positive:  no SJW influence.  That’s right.  They didn’t dip down into trendy current political fads or preach any of the current dogma, just like we don’t hear dogma preached from a 1980’s perspective it would be out of place, so that works in big big ways.
Acting, superb. There is obvious chemistry and very well played scenes that draw the emotion out of you if you understand the contextual depth of what is going on. They are subtle, poignant scenes, so don’t overlook them.  I should also say that the interplay between Ford and Gosling made me laugh outloud at times.  They do have some great moments together.
The music pays suitable homage to Vangalis. Never outdoing him per sey, but expounding and enlarging what he did. BUT… I had one complaint in this regards. There are a few scenes where you cannot tell if the music is diagetic or not and it’s very loud and distracting. This was done in the first film to great effect:
…but at the same time, here… it’s hit and miss.  The use of the film’s opening and closing music themes are perfect.  To be fair even the original has two solid misses in it’s musical lexicon: the love theme and the credit theme.  This film does not make those mistakes.  The added music, (much like the 1920’s style ballad in the street corner bar after Zorah’s death, “One More Kiss”) is extremely well done, but using real era stuff.
The material taken from the first movie to be incorporated is incredible. I literally gasped at one of the reveals. I’m super happy with how they accomplished it, and the technical achievements in this manner are marvelous and Oscar-worthy. It’s not what you think either.
A little more nudity (none would have been better) and cussing than I’d prefer, but tolerable.
I should also point out how well it follows the first film.  The violence is never glamorous.  It is sudden, gritty and intimate.  I cannot say it is not gratuitous… but it’s always appropriate and actually the “overuse” in one scene makes you realize the scope in which poor Agent K finds himself is far greater than just looking for a rogue replicant.  The final conflict is thrilling and had me on the edge of my seat.  In many ways this movie is a series of intimate portraits between people in the middle of a grand scene.  That helps keep the movie tight and connected with the audience.
As a semi-spoiler, I did have one thing confirmed that should send raves throughout the nerd community: “Soldier” starring Kurt Russell *IS* set in the Blade Runner universe in the off world colonies. If only they had Ridley Scott producing that film, it would have been much better. If you know the film, you’ll get it when you see it. It ranks up there with the Alien skull reveal in Predator 2.

<><><>

Ultimately, this is the sequel Blade Runner deserved.  It is like watching “The Godfather Part 2” in some respects where it fills in the world, expands upon it and makes so many more things whole and important.  Although it is not necessary to see the three attached shorts you can find online, they do help elaborate how we came to the world of 2049.  This is a deep thinking film.  You will ask yourself some questions that most people never even consider.  Do not expect shallow fare to kill two hour and forty-some minutes in idle popcorn puffery.  That will turn off many audiences who aren’t attracted by the nostalgia.There will be many reasons of why this film will be labeled a “flop”.  It can only be considered one if using the mega tent-pole blockbuster measuring stick which has to tick all the focus group boxes that make them thundering bland flash for cash grabs.  This is not for what Blade Runner 2049 is.  Nor is it just self indulgent hipster-poseur art-house pseudo-intellectualism.  So don’t let the inner life of this film pass you by.  It raises some interesting points on where our civilization is going and who we are as individuals, not in a preachy way, but in curious introspection and possibly even a distant warning like storm clouds on the horizon.If I had to encapsulate it all, I’d give it a 9.5 out of 10.  Fractions taken off for the nudity, cussing, the fact it is a sequel set up and that little sound issue.  This is a solid R rating too, like the original was (Technically unrated, but that’s quibbling).  Despite these points, he film stands on its own as a wonderful and possibly important piece of art.  It might even aspire to being considered a “great” film some day.  We’ll see.  Not many sequels get a chance to be considered that way.
This one does and is so worth seeing on the big screen.Don’t cheat yourself, go while you can, and bring someone with who can have a long discussion with you afterwords.

 

Kjudoon’s Cartoons 8

“Thom Fury at Star Labs”

Although I don’t really play DCUO anymore, I miss it.  Just too bad the micro transactions and escrow cap have driven me out of game.  Your characters can’t grow past a certain point unless you pay a membership fee.  That said, the content is good… but I don’t believe in game subscriptions.

Some Days I Just Can’t Even.

So…

train-wreck-steam-locomotive-locomotive-railway-73821

Once I find my book on “How to Even for Dummies” I’ll be able to move forward.  Last night I was going to release volume one of ALRDW.  Unfortunately an unforeseen work disaster interfered and I probably won’t be able to release it till the start of October now.  I just don’t have the time over the next week.  Sorry for the delay.  It was completely unavoidable.

That said, I will share the new sales blurb.  Feel free to share your thoughts.

Reimar’s world is turned upside down when his farmhold is attacked by the Skaerslinger. To save their village from starvation, Reimar and six other children are sold to the Kyrkja. Now, Brother Finn will take them to Saint Martin’s Academy where they will become servants of God. 

This little band must travel through the untamed wilds and the storm-plagued lakes of Akiniwazi: a battleground not only of nature but also between two peoples and the armies of Heaven and Hell. They confront powerful enemies that want Brother Finn dead no matter the cost and face an ancient evil that has discovered the dim but growing light in Reimar.

Together, they must survive this odyssey with only wits, faith, Brother Finn, and his dog standing between them and that which could take their lives and souls.

Kjudoon’s Cartoons 7

“Battle Bits: Spent Casings”

Occasionally, I will cobble together good moments from battles that either went horribly wrong or were generally boring for the majority of the match.  Here’s the second compilation.

Volume One Cover Preview

Coming out this week.

ALRDW Alt Volume Cover Base8B.png

This ebook will be free for all.

Can’t wait to share it.