Ghostbusters: Afterlife – (With Spoilers) A Gushing Atypical View

I went on last Friday, and the above title should say it all. (Happy Thanksgiving BTW)

TL:DR if you don’t go see this movie in the cinema, you are not going to get more quality films like this. It serves as the bridge between what was, and what may come if you show some love for this franchise. So get your buns in seats, people. Buns in seats. See the bloody movie!!!!

I give it a 9/10 because of a few minor things I’d wish they’d had more of and missed opportunities, but that’s like asking for 3 cherries instead of 2 on top of an incredible sundae.

If you want your standard synopsis, this is not the review for you. This is about my experience with the film and my takeaways and why I felt it is a great accomplishment in filmmaking. Roll your eyes all you want, if you are so inclined at my gushing, but again… my personal thoughts/experiences. Just enjoy the squee and thoughts.

First, let me say I am on the trembling edge of being a superfan of this franchise. I will not see the 2016 version because the studio/director/cast make sure I knew what it was: a soulless woke remake with a political agenda first and no care for the fans of the original themes and less respect for the creation of those actors, writers and directors that made the franchise.

If you’re sick of being pandered to by people who see you as nothing more than a buck to pluck, this is your movie. These are your people. With one sentence, they expunge the blight that is GB2016 from the canon and do it with a more inclusive, diverse cast than it was with none of the typical “Look at how politically correct and relevant I am! Love me for checking the right boxes for social justicetm! If you don’t you’re a racist/sexist/homophobe nazi.” The same people who all the while sneer at you… the fan… as a rube to be cheated of your money and love. That alone gave it a lot of extra credibility with me as a fan.

In that regard, I am a purist. I’ve not played the 2009 game which was in spirit (hah!) the actual third movie, and heard very good things about it. Thus making Ghostbusters: Afterlife (G:A) the fourth of the franchise. BTW, there is some harkening back to the cartoon, “The REAL Ghostbusters” and the toy line with the appearance of the gunner’s seat, which is just a blast that even the characters squee over.

G:A has many good scares and leaves an anti-woke nip on the tongue. Just as much as it makes you laugh, you’ll clutch your popcorn. It’s messages are wholesome and affirmative. Evil’s clear and defined, good struggles and is wounded but ultimately victorious. (In another post I’ll toss some thoughts in for the spiritual side for my fellow Christians who wonder about this movie.)

The cast and director Jason Reitman have stated in interviews time and time again, this movie is about family. Particularly from what I saw, a family dealing with the loss of a loved one, and struggling with old wounds that must heal for the sake of the living. JR was uniquely placed as the only man capable of having the tools and the talent to save this franchise. He grew up surrounded by this franchise. (He even is the snotty kid in the birthday party laying into Winston and Ray in Ghostbusters II.) To him, as well as Akroyd, Murray, Ramis and Hudson, plus Weaver and Potts, this was a passion projects and work of love. It was sad that Rick Moranis could not come back, but he is retired from acting and firmly so. God bless you, Rick, you were missed, but we understand. You hear this from cast interviews on press junket all the time, but for the first time, I actually believed them. This gives the movie a heart you won’t find from other reboots/restarts/re-envisions that have come out.

What is this movie to me? Good hearted, in many ways wholesome, family entertainment like we used to get in the 1980’s. If it wasn’t for the fact that it is completely dependent on the original film, it would be the superior film.

From the opening credits when I heard the iconic piano trill, I personally was in a state of squee till the final “For Harold” at the end… and then for the mid and post credit scenes. STAY THE WHOLE MOVIE OR YOU MISS IMPORTANT DETAILS! There were at least 3 audio call backs in the credits alone which made me smile so wide it darn near bisected my head. My wife was laughing at me just as much as she was the film because of my reactions and bouncing in the seat.

By the time the film was over, I was crying happy tears as well as feeling the loss of both Egon Spangler and Harold Ramis. Something to note, this movie is a sign of healed wounds between Ramis and Murray as well as the rest of the cast who lost so many opportunities with each other due to the feud. It was a treat to see. In Harold’s memory, all things are made right again.

The opening sequence is the death of Egon being very heroic. It is terrifying in so many ways. Even more so, if you are a fan going in. You know what is going to happen and it’s unavoidable. You can smell it and dread the result the entire time, but it must come. It was handled beautifully, setting up the movie without a single word. I admit, it got me verklempt.

The new faces of Phoebe, Trevor and Callie… the estranged human detritus of Egon’s vanishing and death in mystery are on point if you want to be realistic. Through the movie, you see the wound of Egon’s departure. left because nobody understands why he left suddenly. (A point driven home with a sledgehammer later in the film by Ray Stantz in a conversation on the red phone.) They are fully realized and have their own story arcs to complete.

Granddaughter Phoebe’s is the anchor of the film, and she struggles with the awkwardness and social alienation brought about by being hyperintelligent, and an awkwardness that smells remarkably like a child knowing they have autism/aspberger’s and fighting hard to cope. Her awareness makes it touching. Older brother Trevor tries to help her because he sees how special she is, but is not equipped to help. In an attempt to connect, Phoebe cracks what I call “dad jokes” in an effort to connect with her peers. They’re real groaners and you love ’em. But one in particular had me howling for an inordinately long time. Watching Phoebe cracking these jokes in the face of Gozer leaves you both laughing and cringing in fear once again of what could possibly happen. Reitman utilizes Alfred Hitchock’s theory on suspense perfectly. You the audience know there’s a bomb under the table as the characters sit down for dinner and you’re praying they get out alive. That’s serious craft.

Podcast, a plucky boy who becomes Phoebe’s only friend at summer school (why they were in summer school was kinda fuzzy to me. I may have blinked or laughed to long to catch the reason) is a weird and endearing character. He’s a surrogate for the audience with trying to comprehend the mystery of what’s going on in Summerville. Podcast possesses such an innocent joy at all things new, seeing everything with unjaded eyes, is refreshing. He’s definitely a fun “Mini-Ray”, wearing Stantz’s old goggles for so much of the movie made me smile. (When he clicks the goggle’s polaroid and you watch the old picture shoot out the side which he uses to fan himself after the excitement of the proton pack’s first successful test, I just howled with laughter. Yeah, I’m that guy in the theater.) Because Podcast sees himself as a possible social media influencer, his silly commentary for his podcasts are wonderful. One part clueless, one part kid at play, one part marketer. You can’t help but love a kid brave enough to lick ectoplasm. The chemistry between him and Phoebe has spots of puppy love at its finest. My singular complaint about this character is you never learn his real name.

Callie Spangler’s damage from Egon’s estrangement is more subtly expressed at first, but builds. Callie embodies abandonment and her inability to relate to her father’s super-science brain and iconoclastic behavior has devastated her all the more. She was a typical girl in the shadow of a genius even his peers and friends couldn’t understand. Her mother (who is not Janine, and clearly there is some bad blood toward Egon, judging by Callie’s reaction, is out of the picture,) must have hated Egon as well for leaving. Because of the pain, she has expunged her father from her children’s lives. The lingering question of “why did he abandon me?” is essential to her character. One single line encapsulates her resentment and bitterness when going through the “Dirt Farmer’s house” (the name all the locals knew Egon by) saying “Huh. Not a single photo.” You see she believes that Egon forgot about everyone who loved him and never really cared. When Phoebe is on the trail of the ghost of her grandfather in the middle of the night, you see Callie in the background passed out drunk at the kitchen table after clearly struggling with what to do with their lives. I suspect this will resonate with many viewers who grew up in a split/divided home where a parent left. I can attest friends who had divorced parents exhibited many of the same traits to one degree or another. But when Callie finally learns the truth over what’s going on, and sees that all the pictures were in Egon’s secret lab (complete with firepole, because of course it has one) she sees how much he loved her, and how much attention he paid to her life. He just couldn’t afford to be there because Egon was literally saving the world on a daily basis while the planet was in blissful ignorance.

There’s a very touching scene between Phoebe and her mother Callie where the girl demands “Why didn’t you tell us our grandfather was Egon Spangler?” You see the wounds on both character and for a second you feel it with them. It makes their reconciliation at the end all the more powerful and will put you in tears if you’re a romantic so-and-so like me.

Trevor, has the most ordinary, and least interesting arc which helps make the film more real. As I thought about it, this is not because they didn’t know what to do with him, but lay in what furtive interests a 15 year old boy would have. Girls and cars. Possibly in the reverse order. He chases the cute girl at the local drive-in the instant they hit Summersville. Her name is Lucky (or is it a nickname?) is the unattainable girl. All the boys know it and mock Trevor for trying. He lies to get a job at the drive in, just to be near her. Which gives him entrance to her circle and connection to the greater story because of some teenage hijinx.

But it’s Oklahoma, so he needs a car to have independence. This ain’t NYC. One of the few places in the world you can live your life without owning a car. That means getting one of the junkers left by his grandfather’s working again, and of course that would be Ecto 1. He has no clue what an iconic vehicle he has thanks to his mother expunging all things Ghostbuster and Egon from his life. This is so grounded and real you wonder how he gets involved. It’s through Ecto 1 that Trevor becomes involved in the mystery and insanity that is growing around his sister, and ultimately to him being one of the team to stop Gozer.

Then there’s Gary Grooberson. Paul Rudd, when he got the part was so excited he couldn’t help but release the fact that he was cast in the movie. The actor’s personal reaction as a fan at seeing a genuine trap is a palpable. I love the fact that he connects with Phoebe first, and then Callie second. You can see that he has a certain amount of hero worship toward the Ghostbusters that rose tints his vision toward them, but at the same time makes him more sincere. He is the missing piece to their family, even if none of them realize it. The dialogue between him and Phoebe and Callie are some glittering jewels. Rudd also gets the joy of many call backs to Rick Moranis’ character Louis Tully, but also driving the stake through the heart of GB2016 with the singular line “There hasn’t been a ghost sighting for 30 years.” BAM! DONE! I cheered even though nobody else in the theater did because I doubt they realized what just hit the citadel of wokeness, and sank their agenda boat in one salvo. (P.S. this is why the critics are raging.) I will admit on his date with Callie, I got very scared when he started talking about fracking. I literally said “Oh, here we go” and gritted my teeth. But then Callie takes the piss out of it, which Gary detects and says “Are you that drunk or am I boring you?” Bye bye environazi narrative. We the audience were right along with Callie on that MEGO (Mine Eyes Glazeth Over) expression. The beauty there was that Reitman then uses this as a segue into how Callie can’t connect to Phoebe, but Gary can. That’s some good writing right there.

Lucky was the only character that I felt was more or less a prop. Not for the actress’ part. She does a stellar job in what she’s given. She is the “Love Interesttm“. I did like the fact that she was the police chief’s daughter too. She has a bit of street smarts but used for more comedic effect, despite being “third generation dump” stuck out in the middle of nowhere. I think a lot can be done with her moving forward, since any sequel now (which from what I understand is greenlit, and Sony wants to create the “Ghost Corps” cinematic universe) they will all be college age and can do so much more. Again, if Lucky is her nickname, give her a real name. Someone I did want to see a little more resolution to was why did the whole police department disappear when the ghosts started showing up? You don’t even get a hint of where they were or what they were doing as spooks invaded Summersville. Again, one of the rare rough spots that could have been solved with a 5-15 second shot of deputies or the sheriff trying to deal with the deluge of the supernatural.

The only other missed opportunity and waste of talent I’d give to J.K. Skinner as Ivo Shandor. Although I agree on one level with his fate, I’m going… “Dude! That’s J. K. Skinner, man! You gotta do something with that talent!” Oh well, back as a spirit next movie! Jason Reitman, are you paying attention?

Seeing the old faces come back… and some looked very old as 35 years will do… was heartwarming and touching. I wanted to see more of them, but alas, this wasn’t their movie alone anymore. The next generation must rise up.

This movie is also about sacrifice. And not just for loved ones, but for all mankind. Egon you learn felt a genuine care for all of humanity. Not the happy fluffy “We Are the World”, but in the right to exist and live according to our conscience. He sacrificed his entire life to save the world and forestall the apocalypse Gozer tried to inflict in 1984, and managed to do so till his death when his last gambit failed at the start of the movie. After Phoebe, Trevor and Podcast capture their first ghost, causing considerable damage to the community in the process they’re in jail, and Phoebe uses her one phonecall to contact Ray Stantz. When you hear him say “Egon Spangler can rot in hell, for all I care,” your heart hurts. But as the story unfolds and you learn what Egon had done because he couldn’t get them to see what he knew was coming and had to act, you realize these are metaphors for the rift between the three actors as well. When Phoebe tells Ray that Egon is dead and she is his granddaughter, the regret and pain in Ray’s eyes says it all. It’s a good scene, but I felt it is where Afterlife left the most cards on the table. You hear but don’t see Winston or Venkman, which would have been great to see a few minutes spent of “getting the band back together” with Ray going out and giving these moments a chance to shine. Even including Dana Barret (possibly Venkman?) as they convinced a reluctant Peter to come back for one last time, so to speak would have been brilliant.

I will add that it was great to see the original trio (and then Egon in spirit) coming back does feel a little Deus Ex Machina… but it is a rusty Machina, and Gozer has learned a trick or two and crossing the streams isn’t going to do it any more. Egon burnt that trick out keeping Gozer at bay. It would have been nice to see them get some mentor time with the kids, but I also get it. Pacing and they might dominate the scene too much. Sigh… such are the editing choices one must make for good storytelling.

Something else I want to point out is this movie addresses woke virtue signaling in a way it’s acolytes aren’t happy about. While the cult of woke use the “checkboxes” as a way to supposedly prove their virtue and superiority over the knuckle dragging orange man lovers, this movie checks the same boxes, without making it an issue.
Strong female lead? Phoebe. Check.
Racially diverse cast? Podcast is asian and Lucky is black. Check.
“Alphabet” people inclusion? Gozer is gender fluid non-binary. Check.

Snuck that last one in on you didn’t I? Yep. Gozer doesn’t need a gender and can be whatever it wants to be. BTW, that’s the proper singular pronoun for something that doesn’t line up with a male/female alignment, per the rules of the English language. “It”. If you have a problem, it’s with language (which you don’t have control over) not me.

So there you go. Not only does the movie fix canon, it shows how to do all the virtue signaling right without being obnoxious. No focus is put on this. It just “is what it is”. Focus on the story, not ticking boxes of pseudo offense based on an agenda in your head.

Ultimately, this is a great movie, but if watching some of my more trusted critics out there, I can see that my sentiment is not shared by people who aren’t fans of the original 1984 film. And even then, too many fellow watchers in the audience are not paying close attention. There’s so many details that slide by, that if you’re not attentive, you’ll miss them and it will diminish the experience. Add to that, the hatred for the fans by the “professional” critics working for major media outlets that seem to think all things not in direct service to their political agenda is therefore bad and want revenge for the public turning up its nose at GB2016… well… go and make up your own mind.

That may be why I gush a bit about this movie, and see it as such an achievement, but if you’re not the target audience, or are “meh” about the property, you’re probably not going to care about it. The themes won’t hit, the sacrifice of Egon’s life because of his belief in his life’s work will mean little, and that will diminish your experience.

On the other hand, if you are like me, a fan of the franchise, love the characters this is the sequel you deserved and a chance to see a franchise relaunched in a positive way.

I ain’t afraid of no ghost

SURPRISE COVER REVEAL! “Into The High Places”

I told you there was more news coming.

Fresh off the digital presses we have another incredible illustration by Paganus.  He’s the guy who’s given two outstanding covers, and I hope to lure him back for one more at least for book 4 when that comes out.  But till then, here’s what you can look forward coming very soon to Amazon. The book is as exciting as the cover.  I hope this holds you over for a while, because I’m off to Realm Makers Conference to meet, greet, sell and lots of learning, networking and fun!  Prayers are appreciated as well as your support.

When all seems lost, is faith alone enough?

Leif, heir to the crown of the Akiniwazi Union, is more than a thousand miles away from his coronation. Cut off by a blockade of rebel Jarls and their confederated armies, he enlists the aid of his Berserker champion and a willing company of three monks to trek north and outmaneuver those who would steal his crown. For this plan to succeed, they must traverse a mountain range full of treacherous glaciers, Skaerslinger warbands and a mystery that defies explanation.

As the power vacuum in the capital tears at the fabric of the city, Leif’s mother fights to protect his inheritance against the rebel Jarls nefarious plots to deny him his crown. Navigating through this shadow war where politics and faith collide, the Inquisitor Urban and Herre Aske continue their dogged pursuit of the truth surrounding the strange gold ring which now brings death to those who get too close to its occult secrets!

AKINIWAZISAGA - BOOK 3 - E-BOOK - FINAL

Welcome Back to Akiniwazi!

That is correct Ladies and Gentlemen!  The sequel to Akiniwazisaga: A Light Rises in a Dark World” is now available on Amazon.

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We’re going for an exclusive release there this time to see how well it works out.  But now’s the time to start reading or buy your copy now!  Hardcover and paperbacks coming soon.

In Akiniwazi, the veil between Heaven, Earth and Hell is torn. Here angels, miracles and gifts of the Spirit do battle against demons, curses and their sorcery. This is a wild land of ice and steam, where two cultures are trapped in a war to the death and the fate of every soul hangs in the balance.

What does it profit a man to gain the world, but lose his immortal soul?

For centuries, the Akiniwazi Union, has been ruled by the Sveinnaettir dynasty. Now crumbling under the weight of debt, politics and an ancient family curse, Gregor the Visekonge entrusts his son with a dangerous quest in an attempt to restore the power of his crown. The Visekonge’s plan emboldens an ambitious vassal to steal the crown for his own son and rewrite the lines of succession.

But God has a plan of his own.

To put the Battle of Athrvorthfestning behind him, Inquisitor Urban heads for home and much needed rest. Along the way he encounters Aske Rekkerson, a Skaerslinger timberjack who shows him a ring of silver and a ring of gold and tells the grisly tale of their discovery. Urban connects these rings to the vicious politics of the Visekonge’s court as well as the sectarian intrigue behind Brother Finn’s exile. Brother Finn finds himself plucked from his peaceful exile and unknowingly dropped into the middle of a corrupt and powerful conspiracy that threatens the Union, the Kyrkja and his life.

 

Good Golly! Book Release Announcement

It’s been a long time in coming.  Two books, one day, and what day?  Good Friday!

That’s right, ladies and gentlemen, boys and girls, Akiniwazisaga will continue, available for purchase on….

April 19th, 2019.

AKINIWAZISAGA 2 - E-BOOK COVER - FINAL

 

Book 1, “Akiniwazisaga: A Light Rises in a Dark World” will be available wide on Amazon, Rakuten/Kobo and Smashwords.  You will also be able to purchase it through Walmart, Barnes & Noble and other locations.

Book 2: “Akiniwazisaga: The Inheritance Thieves” will be available exclusively through Amazon to start.  That means it will be available through Kindle Unlimited too.

So why the strange release?  I’m experimenting.  Although I’d prefer to go wide, I am going to see how the distribution is through Kindle Unlimited.  We’ll see how it goes, and if it does well, I’ll do the same with ALRDW.  If it doesn’t, vice versa.

Will there be a pre-order?  Nope.  Thanks to Amazon’s new ways to handle algorithms, I won’t do pre-orders.  It’s too bad really, so get your pennies together, and open them piggybanks and be ready to buy it on the opening weekend.  Let your friends and families know it will be available then.  The more people who buy on that day, the higher the rankings will climb and we can get this off the ground as a right out of the gate.

So remember…

April 19th, 2019:  Good Friday!

What a perfect day for a Christian Epic Fantasy!

 

AKINIWAZISAGA - BOOK 1 - E-BOOK COVER - NEW TITLE

Now On To Formatting! (and other news)

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Editing (with the exception of a couple technical whoopsies caught by proof reading ) is done!  I am so relieved.  Both Books 1 and 2 are now set to be formatted, sent to the printer and released.  I am hoping, barring restrictions that this will be complete in April.  A goodish month for me all things considered.

So what comes next?

BOOK 3!  The editing begins!  My goal is mid July, and although I set the deadline, it has some real world outside of myself backup to get it done. That means Beta Readers will be needed again by Early June at the latest, and a cover I hope by the same time.

And once all that is done, I can turn my attention to Book 4… which isn’t written yet, but it’s been building in my head.  I have certain scenes envisioned and now a few new characters, plot twists, questions to answer… not to mention ask!

When will that finish?  I’m not going to predict other than to say 2020.  I know that’s the year I want to start looking at audiobooks, and that will be the goal, but those will probably be pushed back till late 2020, after I finish Book 4 so it can all be done at once.  We’ll see.  This is long range blue skying it right now.

As for other things, Realm Makers 2019 in Saint Louis is fast approaching and I am both full of joyful squee and screams of terror.  Why?  Give away merchandise for attendees and a few choices on merchandising.  I’ve no idea what kind of good memorable give-away I can provide, but I want to do something nice.

What’s that?  You didn’t realize I wanted to do some merch for my books?  Oh yes… yes indeed I do!

What kind of merch?

I hope to do something with teeshirts and my covers and maybe hats with my logo on it.  We’re gonna have to see what I can come up with.  Honestly though I really need help with this stuff.  I’ve been researching companies to do it through, but I can’t afford to play with inventory, online stores, order fulfillment and all that jazz.  Heck, you see how good I am with this blog current!

That said, once I get some shirts designed for me to wear, I do hope to set it up for all of y’all to be able to buy them if you want.  That’s the hope on the clothing.

But nuff said.  There’s also one other dream item I’d love to do, but that would require some real help with someone who has know-how and the ability to help me set up a “Manufacture On Demand” setup.

What is this dream item?  Wellllll….. okay, I’ll tell you, just realize this is in the dreaming with no idea how to pull it off still:  Stuffed Bergamots.  Yes, Actually, I want to do stuffed doggies, same with Hawthorne (you’ll meet him later)  It’d be really fun to do stuffed versions of Brother Finn, Reimar and other characters…. or… something else!  HAH!  But that’s even more blue sky thinking so I’ll keep that in the cooler till it’s ready to start prepping.

So that’s the news right now.  Hope to give a hard date on the release soon.

TTYL

 

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Triskaidecaphobia… The Editing Edition

I was told by a friend that Ernest Hemingway once edited the last page of one of his novels over 150 times till he had it right.

Well.  Chapter 13 of the Book 1 reissue has just exacted such torture on me.

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For the love of little green pickles I just could NOT get that chapter to work right.  Every trick and redesign of “Dangerous Hours” refused to play along.  Nay, it revolted against me!   It is an important and I needed to get it right.  It had to sound right as well as look right.  One change lead to a half dozen corrections, then it didn’t sound right so I had to go over it again and again and again.

Oh! for the tranquility of writing the first draft again!  Editing is not my favorite task as a writer, but it is essential.  You, the readers, have entrusted your imaginations to me, and I need to be a good caretaker of that trust.  Unfortunately I now know how writers become alcoholics, I think. I really began to wonder how I let this book out into public like this.

Then I had to remember, this was as good as I could do at the time.  I now have the benefit of over 1200 more pages written to the saga now.  Yes, you heard correction.  That’s 4 more novels worth of stuff.  Not that all of it’s going to release any time soon, but it’s there and growing.

But, after no less than 125 passes through that thirteenth chapter… it’s ready.  Redundancies gone and bad phraseology banished to the tune of 500 words!  Furthermore, when I realized that I could not envision the scene from my own writing, I backtracked and found better ways to explain the images I saw in my own head.  Talk about a gauntlet for my creative soul!

But forward we go.  I’m locking down chapters after my editor, who should be nominated for sainthood for many reasons beyond just tearing my work apart, has done a final pass through.  That means very soon, I will be moving forward and fixing even more stuff.  The struggle will have been worth it in the end.  I am proud of the work again after having severe doubts about my own efforts.

And just so you know, gentle readers, all authors struggle with impostor syndrome.  Even ones like Stephen King who doubt their skill if they did not have their name to get readers.  Don’t believe me?  See Richard Bachmann.  Game, set, match.  It’s a universal for anyone who wants to be good at their craft regardless of what it is.

I also was given some very good advice by fellow author Kerry Nietz who reminded me that I should be careful on the re-edit and to watch that I don’t lose my voice.  A sentiment I do agree with and am now redoubling efforts to preserve the original tone and not let familiarity dry out the work like an overcooked turkey.

So, patience please, and if you can find it in yourself to extend a little grace as I muddle through, I promise to make the wait worth your while.

 

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Progress Update: January & Beyond

Life keeps chucking curveballs at me, but I’m getting a few solid dingers from time to time.

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So why isn’t Book 2 out?

Honestly?

Book 1 is still getting edited for reissue.  I am 95% done with Book 2 (basically formatting) but Book 1 has been an absolute beast.  Combined with my issues surrounding my new day job, I’ve had a dickens of a time getting focused on the work.  On a positive note, it will be worth it, and you’ll get a “twofer” when the release happens.  The schedule for book 3 is uninhibited yet.  I only worry about book 4 at this point.

So Books 1 and 2 will release as soon as I can manage, and then we move on to editing Book 3 and writing of Book 4 in between.

Now, something else that is sapping my creative strength has been a new series that is demanding my attention.  I’ve been taking notes, thinking about characters and worldbuilding for that too.  So some of that energy has been diverted.  The intent is to not work on that till book 4 is in editing, and then bang out the whole trilogy.  Yes this new project is designed to be a one off trilogy, written in serial format.

So what is it?  Once again, I don’t write clean genres.  It’s going to have elements of Film Noir, Pulp Adventure, Dieselpunk, Cyberpunk and Space Opera.  It’s an awesome concept with a twist I think will really be fun for those of you who like mangling tropes.  So when it comes time to start working on that, I’ll have y’all put your axes up, strap on your ray guns, and put on your aviator shades, cuz we’re gonna go save humanity!

 

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Akiniwazisaga: Reissue & The Name is….!

First the big news.  Book 2 is with the proofreaders.  (One because I need someone to pick over the grammar and the other to pick over the proper use of Scandinavian languages to make sure I didn’t botch something really big.)  So next stop format city.  This seems to mean (barring any new disasters) that a January is likely now that real world concerns are out of the way.  What real world concerns?  Well, I’m not quite self sufficient on my writing earnings, so that means you get these books less frequently, and that means I have a real world job.  This last month I switched companies in a process that was a diagonal move upward.  Different company, similar position, but up the process chain.  On the positive notes, it means that I no longer have large chunks of time that I can’t write.  But it means I can’t edit at work like the previous position allowed.  So it’s an overall improvement in that regard.  It is also an overall improvement to my quality of life.

That’s what’s been going on in the life for me.  You can imagine what kind of toll it’s taken on my ability to focus on this work.  Don’t worry, I’ll get better as time goes by and I settle into the new position.

With that said… it’s time for the big reveal!

AKINIWAZISAGA 2 LOGO.jpg

As you know Book 2 is a much more sprawling novel as it is the first part of a trilogy story arc.  Yeah, couldn’t pack all that goodness into just one book, unless you wanted a 1200-1500 page monstrosity I can’t afford to print nor you to buy in one bite.  I do toy with the idea of making an “Omnibus” in the future that will be just that for the real collector.  We shall see.

 

I can hear you shouting “get on with it!” from the cheap seats.  Okay, okay!!!

Titles are not easy for me.  (Well, Book 3 was.  It practically handed itself to me on a silver platter, which is super rare.)  So after much consultation, thought, doubt and prayer, I found the name I think really fits, sticking with my convention of modifying Bible verses that speak to the character of the book.  In this case, it comes from the following:

1 Corinthians 6:9-11

Know ye not that the unrighteous shall not inherit the kingdom of God? Be not deceived: neither fornicators, nor idolaters, nor adulterers, nor effeminate, nor abusers of themselves with mankind,

 

Nor thieves, nor covetous, nor drunkards, nor revilers, nor extortioners, shall inherit the kingdom of God.

And such were some of you: but ye are washed, but ye are sanctified, but ye are justified in the name of the Lord Jesus, and by the Spirit of our God.

 

And with that, Book 2 is officially christened!

 

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Cover by Paganus

 

Look at that!  Finn and Bergamot!  Had to put em in for you, because I know so many of you wanted to see Bergie.  😀  Wait till you meet the other two!

Other news:

I am also going to be experimenting with Kindle and books 2 – 4 will not be released wide, just on Amazon.  Book 1 will remain wide though, so don’t fret that way.  I’m just going to see if the advantages of being in the Kindle Unlimited are worth it.  If it ain’t, I’m going back and putting the books wide again.

The re-editing for the reissue of ALRDW has begun.  Slowly, but surely.  I do not expect it to take as much time as Inheritance Thieves, since it’s already in those final states and now I have a good process to use.

What is changing? The language is being brought up to snuff, the Encyclopedia (glossary for those not in the know) will be updated accordingly) and some technical typos will be fixed.  Many things that will help the ease of reading.  You’ll like it, trust me.

Anyway, Merry Christmas to you all.

 

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Bringing Things Up To Snuff

Although I wanted to publish book 2 this week, it just wasn’t possible.  Life rose up and demanded full attention for the last two weeks, and put everything farther behind than I wanted.  That means that I will not have the book ready for Christmas.  My deepest apologies to my fans.

But do not despair, for I am just in the final proof reading stage and starting to format the book.  Fixed a lot of surprise issues I didn’t know of before I had to focus completely on my new job.  The Encyclopedia will be much improved, and those improvements will go over to the second part of the delay which is the reformatting of “A Light Rises in a Dark World”.  So this weekend, I will post another update and give y’all a little treat as a thank you for your patience in this process.

But for now, here’s the reissue of ALRDW cover.

AKINIWAZISAGA - BOOK 1 - E-BOOK COVER - NEW TITLE.png

 

Talk to you real soon with more news as we hit the final sprint!

Almost There: Edit, Polish, Format, Publish

Yep.  The big edits are now done.

brown wooden mortar teasle

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I’m getting feedback from my editor on it, and I should have the beta readers copy off to my team by the 21st.  Not bad if you think about it.  Only 2 weeks later than I hoped.  So for Book 3, I will know to budget about 1 chapter a day.  So I should start editing that in December at the latest.

I will say that I had a very painful time with doing the edits.  So many chapters needed serious work.  Reading outloud to yourself is time consuming and often just tough.

So what is my process before beta release?

Incorporate the changes from the editor,  panic and scream about it all.
Use a text reader to listen to the book, catching any minor corrections that come up.
Format.
Send.

What comes after?

While the beta readers are doing their thing, I’ll be trying to finalize the title and contacting the cover artist and scheduling him in.  I honestly still don’t know what I want for either.  This happened on the first book too.  Not till the last month did I have the title, or the right scene picked for the cover.  Hope the artist is still available.

And affordable.

I already know what I want to do for book 3′ and 5’s cover.  LOL

Like to give another thank you for my team of Alpha Readers, you were a great help!  Welcome aboard to all Beta Readers (I still have a spot or two left I can bring in, so… contact me if… y’know… you want in.

So there you go.  A quick little update to keep you informed.

And only 2 weeks behind ideal release?  Hey!  I like this!

I see no reason why it won’t be available for…

brown pinecone on white rectangular board

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